Mirage, Fleetwood Mac, 1982
Here is a forgotten album by a supergroup slightly out of step with the times. If nothing else, it confirms two of my oft-repeated truths:
1. The drummer makes the band.The opening song, "Love In Store" is dead on arrival; I blame Mick, with no help from Mac. That's a snappy little new wick staccato-ism Lindsey's chugging there, and you're leaning back too far. If it was just a little snappier, everything would take off, including Christine's sleepy vocals. Wake up!
Not to say by a long-stretch that it's even close to what the opening song should be -- for the ordering of the whole album seems impervious to instinct -- just that it could be a fun song but instead is just dull.

2. Bland mix kills potential great album. Candidate of master remix.The most outstanding example of this phenomenon is
Pretenders II. They were the baddest band of their day, but the dry mix sucked all their souls out.
Sorry pal, it's just what the standard procedure was for that year in every studio.
Now, however, I can think of many active mixers today who could make that album jump out at you in ways you'd forgotten... rock can. Those are some bad-ass songs, who to this day sound boring to you and me, when we should be uncontrollably grinning.
Improvement of
Mirage would also require a re-ordering of the songs. Since the mellow boys in the back row are not yet up to speed, that weak track must not be first. To side two with "Love in Store"!
Or take a coffee break, then redo the rhythm tracks.
The lack of cohesion says a lot about where they were at that point in their careers. Lindsey dominates the studio, Stevie's off being a solo star, and Christine quietly sings vague pretty songs. They try New Wave, while trying to keep their mellow, but The Mac rhythm section just sounds bored. And there's little room for loose beards in our robot future.